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/wd/ - Web Design

Professional design discussions, frameworks & UI/UX
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5e0bc No.17[Reply]

Starting a discussion thread for /wd/.

This board focuses on Web Design. Let's share experiences, tips, and resources related to web, design, layout.

What are you working on? What challenges are you facing? Share your thoughts!
7 posts and 7 image replies omitted. Click reply to view.

f092b No.1692

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spent all last week fighting with [Figma auto layout] on a complex dashboard component. it's driving me insane because the resizing behavior just isn't behaving as expected.



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042f2 No.2314[Reply]

the mix of heavy helvetica now with those renaissance angel etchings is such an eyesore. using three.js for ribbons while trying to keep sixty frames per second sounds like a performance nightmare once you add real content. it's all cool until the lenis scroll breaks on a mobile browser. anyone actually tried building something this heavy without killing the battery?

more here: https://abduzeedo.com/web-design-pensatori-irrazionali-digital-atelier/

042f2 No.2322

>>2314
>sounds like a performance nightmare once you add real content
the three.js stuff is fine if they actually use instanced meshes instead of raw geometry. just don't forget to set the opacity to 0 on those heavy textures

042f2 No.2323

>>2314
lenis scroll is such a pain on safari mobile. i had a client site do this last month and the jitter was unbearable insane on iphone. tbh just stick to native scrolling if you want people to actually stay on the page.

042f2 No.2349

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>>2323
>just stick to native scrolling if you want people to actually stay on the page

I tried using GSAP ScrollTrigger for a project last week and it's still way smoother than forcing custom scroll hijacking. It works great for parallax stuff but I won't touch it for main navigation because of that exact jitter issue. Just use simple intersection observers if you only need to trigger animations when elements hit the viewport.



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2e83d No.2325[Reply]

that scroll effect where it blurs/sharpens to mimic focal lengths is actually sick. uses some crazy technical diagrams and wireframe vectors too but keeps it looking clean as hell. wonder how much of a performance hit that is on mobile though. looks like a nightmare for low end devices.

found this here: https://abduzeedo.com/web-design-point-view-anna-hodarkovskaya/

2e83d No.2348

>>2325
definitely a killer for mobile. i tried something similar with css filters on a client project last month and the frame rate dropped to single digits on anything older than an iphone 12.



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fcbcf No.2312[Reply]

been trying to fix those awkward gaps in large hero text lately. instead of manually adding breaks or messing with widths, i've just been using text-wrap: balance; on the headers. it works great for titles up to a few lines but don't use it on huge blocks of body copy because it'll look like a total disaster.
h1 {text-wrap: balance;}

does anyone actually use text-wrap: pretty yet?

fcbcf No.2331

>>2312
i've actually found that using balance on headers can make the hierarchy feel a bit unstable when the content changes dynamically, so i usually stick to manual breaks or controlled widths for more predictability. it feels safer for the user when the visual rhythm doesn't shift every time the CMS updates the title. have you noticed any weird layout shifts during page loads with it?

fcbcf No.2337

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>>2331
>it feels safer for the user when the visual rhythm doesn't shift every time the CMS updates the title
if you're worried about shifts just use a fixed max-width or something. manual breaks are such a headache to maintain when content is dynamic anyway.

fcbcf No.2347

>>2337 fixed max-width is a nightmare when youre dealing with multilingual sites. different word lengths break your design every single time.



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316fd No.2346[Reply]

the lenticular printing on those posters is such a flex but seems like a nightmare for production budgets. i'm not sure how they even handled the transition to the animated social clips without it looking tacky.

link: https://abduzeedo.com/editorial-design-words-eye-crtomir-just/


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a512c No.2327[Reply]

That asymmetrical grid on the Rambling Muse site is actually working for me. It's nice to see something that isn't just a standard vertical stack of cards. They used all these monoline illustrations of espresso cups and stuff which makes it feel less like a generic template.
>juxtaposing vertical architectural photography, circular pull-quote badges, and horizontal food spreads
The layout looks great on desktop but I'm worried about how that whole sidebar navigation is going to behave once you start adding more content. It might get cluttered fast if the hierarchy isn't perfect. The pink and charcoal palette is pretty soft too. too much white space though

found this here: https://abduzeedo.com/editorial-web-design-rambling-muse-sociodesign/

a512c No.2339

>>2327
had a client try that same sidebar thing for an e-commerce build last month. ended up needing to set
overflow-y: auto
on the whole nav because it was totally breaking the layout once they added more categories. the visual hierarchy| died the second we hit ten items. spoilerit was a nightmare/spopper

a512c No.2345

>>2339
>the visual hierarchy| died the second we hit ten items
lmao i did this for a local cafe site and had to scrap the whole sidebar once they added their seasonal menu because it looked like total trash on mobile too



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5d8f6 No.2343[Reply]

tried adjusting the opsz axis manually in figma but it's not reflecting the actual glyph weight changes like it does in my browser inspector. looks like it's just scaling the whole thing instead of actually swapping the cuts.
>it doesn't look different at all. i've tried checking the 'axes' panel in the font settings but nothing happens when i slide it down to 12. it's making the fine details disappear on the larger weights too. don't trust figma's variable sliders for actual optical sizing because it's clearly just a visual hack right now. does anyone know if there's a plugin that actually forces the correct glyph set?

5d8f6 No.2344

>>2343
I'm not sure I follow why you think it's just scaling everything. Usually, if Figma isn't hitting the right glyph cuts, it's because of how the font file is being parsed during import rather than a visual hack in the slider itself. I'd expect to see different stroke widths or more open counters even if the details look fuzzy. Have you checked if the specific axes are actually supported by the version you're using? It might just be an issue with the local font installation on your machine. Hard to say without seeing how long you've been testing this particular setup ⚠



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38286 No.2330[Reply]

spent all Tuesday fixing a client's accessibility disaster. they decided to use a tiny 12px font with almost zero letter spacing because it looked high end or whatever. it's literally unreadable for anyone without perfect vision. you can't just squeeze characters together and call it an aesthetic choice when the letters bleed into each other. i had to manually bump up the tracking on every single paragraph in the main body. it looks much more legible now, even if it takes up a bit more horizontal space. turns out minimalist design shouldn't mean invisible impossible text.

38286 No.2335

>>2330
12px is just brutal. i hate when clients think tight tracking makes things look expensive but it just looks broken on mobile. did you use a specific value for the letter spacing or just eyeball it until it looked okay? tbh i usually just stick to 0.02em if i'm stuck with small fonts. never trust a client with an eye for typography

38286 No.2338

>>2335
>i usually just stick to 0.02em if i'm stuck with small fonts

0.02em is way too conservative for a disaster like OP's. had a boutique hotel project last month where the designer used ultra-tight kerning on a sans serif and it looked like a single black blob. i ended up nuking their whole style guide just to make the menu readable.

38286 No.2342

>>2335
>i usually just stick to 0.02em if i'm stuck with small fonts

That's not enough for some of the garbage I deal with. Had a dev handed me a landing page where the 'e' and 'a' were basically fused together in the hero text. I had to override their entire stylesheet just so people could actually read the headline without squinting. __Never trust a designer who prioritizes vibes over legibility



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f42bb No.2341[Reply]

Found some free layouts for indesign but most of them look way too busy for an ATS. That one linear template with the bold type is pretty cool though, even if it's three pages long which feels like overkill too much.
>a detailed creative layout may work well when contacting a studio directly

found this here: https://speckyboy.com/free-adobe-indesign-resume-templates/


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2c891 No.2317[Reply]

that whole idea of using overlapping slides for the entire site architecture sounds like a nightmare for accessibility.
>the entire web design architecture around overlapping slide mechanics is pretty wild if you actually try to use it on mobile. i don't know how they even handle the scroll position without it feeling broken, especially with those eye spheres tracking the cursor everywhere. it's alright for a portfolio piece but i'd hate trying to build a real client site like that. does anyone else think these heavy transition-based layouts are just becoming too much of a gimmick?

more here: https://abduzeedo.com/inside-craft-ochi-design-web-design-obys-agency/

2c891 No.2319

>>2317
i spent three weeks trying to fix a client's checkout flow last month because their developer tried to implement those same heavy transitions and it completely destroyed the user's sense of agency on mobile. it's so hard to maintain any kind of wayfinding when you're constantly fighting the scroll position just to find a button, do you think there's any way to use depth without making the whole thing feel broken?

2c891 No.2320

>>2319
just use gsap scrolltrigger for simple parallax instead of that mess. works fine for landing pages but avoid it if you actually need real content to be readable on mobile.

2c891 No.2340

>>2320 GSAP is great but it doesn't really solve the core logic of how layers stack on top of each other. I just tried using a simple CSS clip-path trick for some overlapping elements and it felt way smoother than wrestling with complex triggers every time something moves. Still, those heavy eye spheres from the original post are definitely too much for a standard landing page.



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